In addition, some of the existing filters have been updated, including Brilliance/Warmth, Contrast Only, Film Efex: Modern, Film Grain, High Key, Low Key, Paper Toner, Pro Contrast, Sunlight, and Tonal Contrast, to make them easier to use and also a bit more capable. Of course there are brand-new filters in Color Efex Pro 4, including Dark Contrasts, Detail Extractor, Film Efex: Faded, Film Efex: Nostalgic, Film Efex: Vintage, Image Borders, Levels & Curves, and Vignette: Lens. You can’t go wrong because the filter is applied to a duplicate layer and by changing the layer’s Opacity you can change the overall effect to suit your interpretation of the image. This is film type 11 of 12 with the Film Strength slider set at 47. The interface of all the Film Efex filters have lots of sliders and this one offers controls for haze, vignette, and grain per pixel as well as a set of (by the numbers) “imagined” film types with a strength slider that lets you vary intensity or lack of intensity. When people ask me about my influences, I usually say “The Old Masters” and show this photograph of a younger, bearded me. If you do, I’ll bet these features will come back in a later version.įilm Efex: Faded produces a stylistic effect that simulates old, poorly handled prints. It seems like too many steps to me and I prefer using the hand to move the image around in the window. Similarly, the Hand (Grabber) tool is also among the missing, having been replaced by a Navigator window that you slide around with a mouse. #NIK ANALOG EFEX PRO V2 PORTRAITS PLUS#Less helpful is a Zoom feature that’s limited to fixed percentages (25, 50, 100, 200, 400 percent) and while it works OK, the familiar magnifying glass tool where you click plus or minus is missing. The most helpful is a shortcut to Add Filter (Shift and Click on the filter you want to add), which saves moving your cursor across the screen from right to left. Overall, there have been big changes in interface, user interaction, and workflow, with some pluses and minuses along the way. Shadows and highlights can be manipulated using Nik’s Control Point technology that’s part of every filter in Color Efex Pro 4. The filter has a simple interface that contains three sliders: Detail Extractor, Contrast, and Saturation. You can use this filter to balance light and tonality and extract details from every corner of your photo. Right: Detail Extractor has a new technique that amplifies details to create highly stylized photos. What I really liked about the Dark Contrasts filter was the way it helped tame the contrast in this photograph of a rat rod while at the same time adding detail and an overall mood that suited the entire rat rod oeuvre. Left: Dark Contrasts utilizes a new and unique technique that exaggerates details and textures throughout your photographs while creating a dark and moody result.
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